“The Spatial World of Hitchcock’s Films: The Point-Of-View Shot, The Camera, and ‘Instrarealism’,” Susan Smith
“Travels With My Aunt: Romanticism and Aging,” Richard Lippe
“The Use of Glass in Alfred Hitchcock’s Blackmail,” Stephen Brophy
“George Cukor’s ‘Take’ on the Literacy Narrative: Hollywood Style,” Scott F. Stoddart
“A Domestic Trilogy,” Robert K. Lightning
“‘Your Father’s Method of Relaxation’: Hitchcock’s Shadow of a Doubt,” Tony French
“Kim Novak: Vertigo, Performance, and Image,” Richard Lippe
“Vertigo: Authorship as Transformation,” Tony Williams
“Notes on the Long Take in George Cukor’s A Life of Her Own,” Edward R. O’Neill
“Manufacturing Horror in Hitchcock’s Psycho,” Steven Schneider
“Illusion and Deception in Cukor’s Justine,” Randall Clark
“Looking at The Birds and Marnie Through the Rear Window,” Robin Wood
“Seeing and Believing: Sid Bernstein’s German Atrocities Film and the Question of Hitchcock’s Participation,” Florence Jacobowitz