Petite Maman (2021)
2023
Cinema That Matters
Issue 102 Editorial
Florence Jacobowitz & Richard Lippe
A Fine Ruin: John Ford’s Eulogy for the Future
Jack Seibert
The Man with the Golden Arm
Richard Lippe
Charlie’s Rude Awakening: The Problem with Class Consciousness in Chaplin’s City Lights
George Porcari
What Hollywood Communicates Through the Movie Green Book: Race, Ethnicity, National Identity, Gender, Culture and Class in 1962 America
Stephen Joseph Scott
The Survival of Mise-en-scène: An Interview with Bertrand Tavernier
Florence Jacobowitz, Richard Lippe & Robin Wood
Past Online Issues
Trouble Every Day (2001)
2021
Horror & Plague
Horror and Plague Editor’s Note Issue 101
Scott Forsyth
It Follows: an allegory for the pandemic, and more
Phil Hobbins-White
Horror versus Terror in the Body Genre
Janelle Vermaak
A PTSD Diary of The Exorcist
Trevor Mowchun
Consumption, Transgression, Eroticism: Watching Claire Denis’ Trouble Every Day with Georges Bataille
Christina Elle Burke
“A More Boxier Feel”: Aspect Ratio, Architecture, and Ecology in A Cure for Wellness (2016)
Joshua Schulze
Berberian Sound Studio – Peter Strickland’s Postmodern Pastiche
Ioana Stamatescu
The Sub(urban)altern: Spatial and Temporal Refractions of Normativity and Ari Aster’s Hereditary (2018)
Marcus Prasad
Remembering Jaime Humberto Hermosillo (1942-2020)
Richard Lippe
2020
Cinema & History
Editor’s Note
Florence Jacobowitz & Richard Lippe
For Claude Lanzmann: 1925-2018
Florence Jacobowitz
Not Privy to The Conversation: Harry Caul as a Peripheral Character in Coppola’s Film
Michael T. Smith
The Orson Welles Adventure: On the Road to F is for Fake and The Other Side of the Wind
George Porcari
Gaslight
Richard Lippe
Cyber Panic: Social Media as Horror
William Blick
Tributes
Florence Jacobowitz & Richard Lippe
