The Actress
Art and Reality

Richard Lippe

The Future is a Fairground
Attraction and Absorption in 3D Cinema

Carter Moulton

Love in the Time of Calvary:
Romance and Family Values in Crucifixion Films

Brian Walter

Lumière, Astruc, Bazin: Raymond Depardon's Profils paysans

Jerry White

The Junkies of Plato’s Cave
INCEPTION, MINDBENDING AND COMPLEX NARRATION
IN THE SHADOW OF PHILIP K. DICK

Henry M. Taylor

A Cinema of Recession
Micro-budgeting, Micro-drama, and the “Mumblecore” Movement

Maria San Filippo

Britton on Film
THE COMPLETE FILM CRITICISM OF ANDREW BRITTON

James MacDowell

James Whale’s Frankensteins: RE-ANIMATING THE GREAT WAR

Christiane Gerblinger

Explosive Structure Fragmenting the New Modernist War Narrative in The Hurt Locker

Douglas A. Cunningham

The Language of Emotion in Godard's Films

Anuja Madan

Second City or Second Country
The Question of Canadian Identity in SCTV's Transcultural Text

Erin Hanna

Secret Identities
The Superhero Simulacrum and the Nation

Matt Yockey

Atrocities at the Door:
Peter Brook’s Tell Me Lies, Images of Terror and Brechtian Aesthetics

Scott MacKenzie

Fellini Goes To The Beach

George Porcari

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Analogical Thinking: organizational strategies within the work of Jean-Luc Godard

Peter Harcourt

New Media Resistance: Machinima and the Avant-Garde

Elijah Horwatt

The Horror, Piglet, The Horror

Found Footage, Mash-Ups, AMVs, the avant-garde, and the Strange Case of Apocalypse Pooh

Scott MacKenzie

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The Risk of Ambiguity

Reconsidering Zavattini's Film Ethics

Nicholas Balaisis

The Strange Case of The Leopard Man

Gender, Genre and Authorship in a Val Lewton Thriller

Scott Preston

Michael Moore: A Man on a Mission or

How Far a Reinvigorated Populism Can Take Us

Garry Watson

Anxieties of Fundamentalism and the Dynamics of Modernist Resistance

Youseff Chahine's Al Masseer (The Destiny)

Malek Khouri