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     Sample Articles

How to Read Iron Man
The Economics, Geopolitics and Ideology of an Imperial Film Commodity

by Tanner Mirrlees

Sharon Lockhart and Steve McQueen:
Inside the Frame of Structural Film

by Edward Bacal

The Actress
Art and Reality

Richard Lippe

The Future is a Fairground
Attraction and Absorption in 3D Cinema

Carter Moulton

Love in the Time of Calvary:
Romance and Family Values in Crucifixion Films

Brian Walter

Lumière, Astruc, Bazin: Raymond Depardon's Profils paysans

Jerry White

cineaction 86

The Junkies of Plato’s Cave
INCEPTION, MINDBENDING AND COMPLEX NARRATION
IN THE SHADOW OF PHILIP K. DICK

Henry M. Taylor

ISSUE 84

A Cinema of Recession
Micro-budgeting, Micro-drama, and the “Mumblecore” Movement

Maria San Filippo

ISSUE 84

Britton on Film
THE COMPLETE FILM CRITICISM OF ANDREW BRITTON

James MacDowell

James Whale’s Frankensteins: RE-ANIMATING THE GREAT WAR

Christiane Gerblinger

issue 81

Explosive Structure Fragmenting the New Modernist War Narrative in The Hurt Locker

Douglas A. Cunningham

issue 80

The Language of Emotion in Godard's Films

Anuja Madan

Second City or Second Country
The Question of Canadian Identity in SCTV's Transcultural Text

Erin Hanna

Secret Identities
The Superhero Simulacrum and the Nation

Matt Yockey

Atrocities at the Door:
Peter Brook’s Tell Me Lies, Images of Terror and Brechtian Aesthetics

Scott MacKenzie

Fellini Goes To The Beach

George Porcari

______________________________

Analogical Thinking: organizational strategies within the work of Jean-Luc Godard

Peter Harcourt

 

New Media Resistance: Machinima and the Avant-Garde

Elijah Horwatt

The Horror, Piglet, The Horror

Found Footage, Mash-Ups, AMVs, the avant-garde, and the Strange Case of Apocalypse Pooh

Scott MacKenzie

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The Risk of Ambiguity

Reconsidering Zavattini's Film Ethics

Nicholas Balaisis

 

The Strange Case of The Leopard Man

Gender, Genre and Authorship in a Val Lewton Thriller

Scott Preston

Michael Moore: A Man on a Mission or

How Far a Reinvigorated Populism Can Take Us

Garry Watson

Anxieties of Fundamentalism and the Dynamics of Modernist Resistance

Youseff Chahine's Al Masseer (The Destiny)

Malek Khouri

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